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  • Cora

    Cora

     I think to showing my body it's a kind of feminist movement.
    I like when my photos are sexy, hot and provocative.
    I'm not the classical type of model...but I have some specials. This have every woman.
    You don't need to operate yourself...you can just be cool and hot exactly as you are...
    It's not like a miss contest-where you have a concuration ...
    It's more to give power, and self confidence for girls.  Read More
  • Cindy

    Cindy

    I officially started modeling in January 2018. It’s actually A photographer contacted me on instagram saying he loved my work as a MUA and he saw in me the potential to be model because I had beautiful features. Following several exchanges, we shot for the first time on January 21st. I loved my experience and especially the connection I had with Ricky Elie, my photographer. Since then, I've decided to start my career as Plus size Model and to embrace my curvy body. My first shoot was in 2016, my cousin needed models to build his portfolio of photographs. I shot with him, I loved it but I did not have enough self-confidence to start a career as a model at that time.

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  • Joana by Fernando Santos

    Joana by Fernando Santos

    Model: Joana

    Photographer: Fernando Santos

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  • Essy West

    Essy West

    I love boudoir photoshoots! At most shoots, I ask to do some form of lingerie to keep building my portfolio for it. For a long time I was scared to show off my body in that way, and was afraid that it would look bad. But recently I've been obsessed with it, especially with the women's empowerment movement that's currently happening!

    I'd have to say my favorite lingerie has got to be black lace. You can see in my shoots that it's what I normally wear. I love the way my red hair pops against the black!

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(500) Days of Summer

September 28th, 2016

http://www.rollingstone.com/

By Peter Travers

Boy meets girl, boy loses girl. It's been done to emo death. That's why the sublimely smart-sexy-joyful-sad (500) Days of Summer hits you like a blast of pure romantic oxygen. It turns the genre on its empty head and sees relationships for what they are — a bruising business. Someone's heart always gets ripped out.

Meet Tom (Joseph Gordon-Levitt, letting his charm flag fly), a would-be architect idling in L.A. as a writer of greeting cards. In strolls his boss's new assistant, Summer (the glorious Zooey Deschanel), and Tom's a goner. For her, prizing independence, their affair is a lark. For him, raised on sappy Brit pop and a total misreading of The Graduate (he thinks the ending is happy), it's love. So when she walks away, firmly but with kindness, you feel the pain, the kind that evaporates quickly only on sitcoms.


Marc Webb is a debuting feature director with style to burn. With a seriously funny and touching script by Scott Neustadter and Michael H. Weber, the movie spins a variation on Memento, shuffling through Tom's 500 days with Summer in a random order that lets us see the fun times and the fault lines. A gimmick? Maybe. But Deschanel and Gordon-Levitt are star-crossed lovers to die for. They play it for real, with a grasp of subtlety and feeling that goes beyond the call of breezy duty.


This knockout of a movie expertly blends bliss (a dance number complete with an animated blue jay after Tom spends his first night in bed with Summer) and the blues (a split-screen segment in which Tom's expectation of winning back Summer clashes with reality). The ending is tidy and way too cute, but (500) Days is otherwise a different kind of love story: an honest one that takes a piece out of you.